Showing posts with label Sara Eolin. Show all posts
Showing posts with label Sara Eolin. Show all posts

Tuesday, January 13, 2015

Teamsters Local 399 to go on strike Feb 1

An agency creative just asked me what all this means... Here's my take...

There has been a trend over the last 10 years to not produce commercials in the US anymore, fleeing the States to cheaper pastures overseas. This exodus has mainly been to avoid residuals fees for SAG Actors, not to save money on the production itself. While sometimes that is the case, the savings is generally marginal after travel, etc. With the pending possible strike from the Teamsters in the West, this will put production companies in an even more difficult position of encouraging clients to stay in the US. 

There's a reason that LA is the hub of production for the world-- best crews, best locations, best accessibility to equipment. Is it great to travel to other places sometimes? Absolutely. But it's hard to not think about all the jobs that are affected when you do. It's not just the Teamsters that would be affected by this strike. It's the entire crew. And while all of production should stand united, they are striking for a reason that will not go away. The AICP is asking to change the threshold for what's considered "low-budget" from $75,000 a day to $125,000. On a low-budget contract, day rates can be negotiated with crew members below scale rates. 

Let's be clear: no one wants to pay anyone below scale. No one is really “excited” about low-budget work, but with more and more web work this is the reality of production. The days of getting $250,000 a day for production are gone. The words “nimble” are used on a  daily basis— who can make a scene look like a million bucks for $500 shot on an iPhone? This is our reality, and we need to embrace it or risk becoming extinct. 


Production crews are the ultimate team and no one is diminishing the value of Teamsters— from drivers to location managers, they can clearly be argued as the backbone of the crew. No one is looking for a way to short change their value. We fight everyday to make union crews work for the budget at hand. This provision will create jobs. It will ensure that union crews aren’t a thing of the past. It’s in the best interest of everyone. Let's keep jobs in the US. Let’s look out for each other. Let’s be union supporters by supporting the greater good. 


Friday, April 12, 2013

Going Local, Short film by Sam O'Hare


About a year and a half ago, Lance O’Connor got sent a link to an essay on the Huffington Post from his brother in NY with the note, “I know this guy! Pretty funny!” Lucky for Lance he actually listened to his little bro, and BOOM!!! A short film idea was born! 

The essays were written by Robert Schwartz, a native NYer and modern day Woody Allen-type. He detailed his foray in to the online dating world after his divorce.  Jumping into online dating in your 30’s after not dating for 10 years or so can be a bit wonky... and so the comedy ensues.


Lance called director Sam O’Hare and said something to the gist of , “SAMMY BOY!!!!!! YOU’RE GOING TO SHOOT A FILM!” Lance rarely speaks in anything less than all caps.




Sam-- who is known for his tilt-shift films and VFX prowess-- had been wanting to work in more narrative and performance driven work and this was perfect for him. We brought our Aero team of  go-to crew to help: Pergrin Jung to DP, Katie Irish for Costume Design, Albert Dobyns for Production Design. Luke Rocheleau 1st AC’ed and Steady Cam Op. Our NYU Intern Teresa Loera rose to the occasion and was the 1st AD. Brooke Dooley and I produced (and did about 87 odd jobs.) Mary Egan Callahan at House Casting found our amazing cast, and Robert (writer) found his “if a celeb was to play me” ideal in Adam Busch. Adam generously agreed to be part of our production and boy howdy, are we lucky he did.  Not only is he incredibly talented and suited this role perfectly, but he’s super cool and nice. Which on long shoot days, goes a long long way.



Adam Busch

8 long shoot days in Brooklyn and Manhattan, and nearly a year in post production, the short film Going Local was launched on Vimeo through a follow up article in the Huffington Post.  Clear 25 minutes in your schedule, and enjoy! (If you’re at work, this can be considered “research.” So go ahead.)






Sticking to his post/VFX roots, Sam and Aero Studios created all the graphics, color correction and conform. For everything else, we’re very lucky to have many many talented friends.


Big thanks to:

Clayton Hemmert at Crew Cuts (Editor extraordinaire!)
Joe O’Connell, Gerard Collins and Mat Guido at Blast NY (Sound Mixing/Sound Design)
Rob Niederprum and Hyberballad Music
Dave Hodge and Eva Miller at Finger Music
Jesse Holmes at Parachute  (Graphics and Clean-up)

Full credits are here!

Pergrin, Arjun Sheth and Adam shooting in tiny spaces.

Sam O'Hare, clearly, directing. Pergin ponders. Teresa clutches her shoot schedule.

Production tries to not take up too much space, or have thing stollen (RIP generator). 

The "real" Robert and Evin. 



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